Up + 10

The signature moment of Up is the “Married Life” sequence where Ellie’s and Carl’s lives together are presented, from their exchanging “I do” to their saying “goodbye.” Functionally the montage establishes the narrative foundation and insight into Carl’s character and motivation that the rest of the film is built on. If this sequence does not work, the film does not work nor connect with the audience.

Echoing the feel and poignancy of Charlie Chaplin’s The Kid and City Lights, “Married Life” is as effective a sequence as has ever been put on film. Cinematically the life stage vignettes connect seamlessly and the music signals, symbolizes, and connects Ellie’s and Carl’s emotions with those of the audience.

To add greater depth, “Married Life” shows the entire arc of a marriage beginning with the joy and excitement that comes with the possibilities of new beginnings as well as the joy that should be experienced in life’s routines and setbacks. The sequence also shares the sadness and grief experienced when life sojourns through the valleys of loss.

Obviously, there are limits to what can be depicted in 4:00 minutes, but “Married Life” shows the healthy way to journey through grief. First, it depicts the acceptance and grieving of loss. The sequence then shows continuing life’s journey and finding happiness and meaning in different, perhaps older purposes and goals in life.

As with any character-driven film, it is the connection between characters and between the characters and audience that determines the immediate success and any lasting impact of the film. “Married Life” cements the bond between Ellie and Carl and between them and the audience. As often happens in life, such bonds continue after death. With Ellie, it is her “spirit of adventure” that is felt by Carl and the audience throughout the rest of the film.

The “Married Life” sequence in Up enhances the film’s theme that “adventure is out there” and should be pursued, but it also reminds the viewer that the spirit of love is found within and should be nurtured and shared.

Click the link to view the “Married Life” sequence.

https://m.youtube.com/watch?v=9yjAFMNkCDo

Posted in Faith Shots, Film Shots | Tagged , , , , , , , , | Leave a comment

Rocketman Is a Sub-orbital Flight of Fantasy

via Rocketman Is a Sub-orbital Flight of Fantasy

Quote | Posted on by | Leave a comment

Rocketman Is a Sub-orbital Flight of Fantasy

As Elton John struggled with his identity through his early adult through middle age years, “Rocketman” wrestles with its genre and purpose. Is the film a celebration of the music of an iconic artist and pop-culture figure, or is it a story that offers greater insight into the man behind the costumes and eyeglasses. In trying to be both, each part, and the film as w whole is diminished.

Some people would prefer the former while others the latter. Perhaps a predictor of who would like which is those who enjoy Greatest Hits albums will likely leave Rocketman more satisfied than those who prefer the style concepts and story construction of individual albums.

Those desiring a celebration of music will likely respond to the film’s creative use of the music to reflect many of the emotions and struggles of the music icon’s celebrated and challenging life. However, impressive as the music and choreography are during these sequences, some will experience a disconnect. The songs and life situation they are connected to make it seem as if the songs were written about Elton’s life, when, as Bernie Taupin’s lyrics, they are more reflective of his life and experiences than his writing partner, friend and artistic brother.

Additionally, one of the film’s central performance pieces is the wonderfully choreographed and edited montage of Elton performing Pinball Wizard. While a hit and movie role for Elton I’m sure Pete Townsand hopes everyone remembers it is his and The Who’s mega-hit.

Those who are looking for experiential insight into the music, and men whose partnership created one of pop music’s preeminent catalogues, will likely be more disappointed in the film. Viewers will leave with only a cursory awareness that Reggie Dwight was considered a musical prodigy, that he came from a dysfunctional home where he was emotionally neglected save for love given to him by his grandmother, and he spent much of his life trying to fill that void. For fans and those familiar with Elton’s biography, this is not news.

Again the primary consequence of trying to be both a celebration of music and a biopic film, Rocketman is only able to cover the highlights of Elton’s life and music. Left out were the deeper cuts of music and nuanced insight into his life struggles and especially his recovery.

Most disappointing was the lack of any mention of Elton’s relationship with Ryan White, a teen from Indiana with hemophilia who contracted HIV through a blood transfusion in 1984

After being diagnosed and treated for AIDS, Ryan and his family were shunned by the School district, their church and many residents and businesses in the community. Upon hearing of their struggles Elton reached out to the family and developed a relationship with Ryan and his mother Jeanne. Elton was with Ryan when he died and sung one of his and Taupin’s earliest songs, Skyline Pigeon at Ryan’s 1990 funeral. Elton credits Ryan and Jeanne for helping inspire him to finally achieve and maintain sobriety.

At one point in the film, Elton seeks and receives solace from his younger self, Reggie Dwight. It is disappointing that film did not depict the actual comfort and strength Elton received from a child who experienced and overcame similar rejection and isolation that had such a traumatic impact on so much of Elton’s adult life. Also in a time when fear fueled anger toward “others” and those “different” is again on the rise, a reminder of the transformative courage and grace of Ryan White could perhaps have spoken to many.

From a technical standpoint the film stands out with treasure trove of exceptional cinematography, production design, editing, and hair & makeup. It goes without saying that costume design, much of which was modeled after Elton’s one of a kind costumes and sense of style was dynamic. Lastly the musical score, based on Elton’s songs, is naturally a tremendous strength.

Taron Egerton (Kingsmen: The Secret Service) resembles John in both look and singing without coming across as trying and for an exact imitation.

Jamie Bell (Billy Elliot, Fantastic Four) a bit more artificial in his presentation of the famously more reserve partner and lyricist Bernie Taupin.

Richard Madden (Game of Thrones) offers a convincing performance as seductively smooth and manipulating John Reid, Elton’s lover and business manager. As the One time manager for Queen, Reid was portrayed in both Rocketman and Bohemian Rhapsody (Aiden Gillen.)

Director Dexter Fletcher’s (Bohemian Rhapsody) direction is ambitious and at times audacious, but it’s hard to imagine subtlety in a biopic or musical celebration of Elton John and or his music.

In spite not reaching its intended orbit, watching Rocketman is an enjoyable experience, especially for those who experienced the music, the times, and the celebrated life of the former Reginald Kenneth Dwight.

Posted in Film Shots | Tagged , , , , , , , | 1 Comment

Review: Losers

losers 6

Photos Courtesy of Netflix

NFL coaching legend Vince Lombardi regretted his gospelizing the statement, “Winning isn’t everything, it’s the only thing.” Had he the power he would have rather been known more for saying something along the lines of, “the commitment and dedication to winning is the only thing.” If he regretted the winning is the only thing quote, I suspect he would also amend his other famous quote, “Show me a good loser and I’ll show you a loser.”

Losers is a Netflix original series about “people who were good in the midst of losing. It is also a series that speaks truth to the power that is the winner OR loser mentality that has been woven into the tapestry of society.  The very title of the series is indicative of the way most of society labels those who fail to win. Depending on the nature of the loss, they are not people who lost, but they are losers. Such castigation of those who lose and the opposing adoration of those who win and are thus winners is evidence of the idolization of winning.  The eight stories in Losers state unequivocally that losing does not make one a loser, and indeed losing can help one win what is truly important, the peace that comes with a true understanding of what is winning and losing.

Each of the 25-40 minute episodes shines a light on people known best for losing, or as many would say, famous for being losers. The shining light, however, is not how they have merely coped with losing, being a loser, but how in losing they found redemption, meaning, and an appreciation for what is truly important in life.

losers 3To people of the Christian faith, each episode speaks to the nature and differences of the worldly life we were born in to and the Kingdom life to which we are called and into which we are baptized. As is repeated throughout Scripture, those who are considered losers, or that which is considered losing in the judgment of the world, are often winners in God’s criteria and Kingdom. This reality is repeated again and again in the teaching, life, and ministry of Jesus as well as Paul and others.

As Jesus teaches in Matthew’s Sermon on the Mount and Luke’s sermon on the Plain, those who are blessed in God’s kingdom are the poor in spirit, those who mourn, those who suffer for righteousness, ie losers in the estimation of worldly standards and standard bearers.  Likewise, Jesus warns against acquiring and storing earthly riches, the notoriety, and fame that comes with winning, because they are all susceptible to degradation and loss, versus Kingdom blessings that are not at risk of loss or decline.

Jesus warns against the love of and devotion to winning in worldly terms such that one loses that which is truly desirable and meaning filled. The devotion and sole focus to win and the prize of notoriety that comes with it can instead lead to loss of that which is truly important, namely, life, and the peace and joy of love for and of others. Running through each episode is the teaching of Paul that in losing, as in all things, God seeks to work for good.

Jean Van de VeldeFor each of the subjects, losing was not what they desired or thought to be good. But in each, losing opened them to experiences ultimately more meaningful and satisfying than the temporary enjoyment and notoriety that winning would have brought them. One example of such is the story of French Golfer Jean van de Velde, who after losing a three-shot lead on the final hole of the 1999 Open Championship (British Open) and along with that the honor of having his name inscribed on the famous Claret Jug. Instead, he ended up having his name inscribed on the hearts of many of the young French golfers he later inspired and coached, as well as the lives of children he impacted through his work with UNICEF. Had he won the Open, it is less likely he would have been able to devote attention and time to these causes.

Many of these teachings in scripture, especially Jesus’s Sermon on the Mount and Plain, are met with a, “yes that would be nice, but“ mentality.  Losers answers worldly skepticism regarding the application of Kingdom teaching and ways in our time and place.

While all eight episodes are compelling and reflect redemption and character that can be experienced and developed in loss and struggle.  The five episodes listed below may most easily resonate for sermons or small group discussions.

The Miscast Champion:  Heavyweight boxer Michael Bentt unexpectedly wins the championship, but a knockout loss in his first title defense changes his life and helps him find his passion and purpose. (24 Mins)  Biblical Connection: Peter and failures and Redemption, The impossibility of serving two masters,  Matthew 6: 24

Judgment: French skater Surya Bonaly’s struggles with winning an Olympic medal and World Championship as well as acceptance because of her color and skating style. 37mins  Biblical Connection: Blessings and Woes Luke 6:22-26, Matthew 5:1-11

Aliy: Sled dog musher Aliy Zirkle spent years attempting to win the Iditarod Championship, yet after several close finishes, she has yet to win. Her determination and fortitude are also tested after a harrowing experience in one race.  33 mins    Biblical Connection:  Forgive Enemies Luke 6:27-36, Matthew 5:43-48,  Forgetting what lies behind or ahead and pressing on to the goal  Philippians 3, Perseverance in running the race, Hebrews 12,

Black Jack: Jack Ryan was a legendary basketball player on the street courts throughout New York City. He was also someone who sabotaged repeated opportunities for college and pro careers. Through perseverance and a final opportunity, he is able to make a life in basketball and impact the lives of many children.  33 mins   Biblical Connection:  Prodigal Son Parable, Luke 15:11

The 72nd Hole:  The heartbreak and peace for Jean van de Velde following an epic loss on the final hole of the 1999 Open Championship.   28 mins    Biblical Connection:  Teachings concerning treasure  Matthew 6:19-21

Losers Rating: TV-MA for language.

Posted in Faith Shots, Film Shots | Tagged , , , , , | Leave a comment

Ike’s Farewell Resonates Powerfully Now

img_3401This 16-minute speech is President Dwight Eisenhower’s farewell address to the nation. As supreme allied commander in Europe during World War 2, Dwight Eisenhower bore as heavy a responsibility as anyone in the 20th Century. This, one of his final acts after 50 years of service to the nation is very much worth the time to watch.

With the 1960 election, much of the nation desired to pass the torch of leadership to the rising generation. Many at the time considered Eisenhower a sleepy, out of touch grandfather, whose time had passed. Though far from a great communicator, what he lacked as an orator, Dwight Eisenhower more than made up for with his vision.

img_3400Known as the “Military Industrial Complex” speech, President Eisenhower’s farewell address goes far beyond that issue in addressing the challenges the nation would, and we now face. Central to his call is the place of statesmanship and the need for balanced cooperation between the private and public sphears. He also challenged the nation to resist the temptation to use fear as a tool of governing and put the needs of the nation above personal and partisan benefit.  Perhaps he was not in touch with the time of Camelot, but this speech shows Eisenhower was very much in touch with the challenges facing our nation through the ages.

 

 

Posted in Faith Shots | Tagged , , , , , | Leave a comment

Won’t You See, Won’t You Be My Neighbor, Please?

fred rogers 1

Photos by Focus Features

I hate that I was late in seeing Won’t You Be My Neighbor.  I hate when life intrudes on my movie “to see list,” but better late than never.  I have one thing to say to anyone who has not seen the latest film by Academy Award-winning documentarian Morgan Neville, go out and see this film. I was a bit old for watching Mr. Roger’s Neighborhood.   By the time it was available on PBS I was older.  I grew to respect Rev. Rogers later in his and my life.  Of course, as an adult and pastor who appreciates someone who loves and genuinely cares for children and their healthy development, I am grateful for all the lives Fred Rogers impacted.

From the film critic point of view, Won’t You Be My Neighbor is an engaging and entertaining film that offers something to those very familiar and those unfamiliar with Mr. Rogers and his program. As a documentary film, it provides both a 30,000-foot view as well as an intimate portrait into the life of Fred Rogers and those in his personal and production family.  The film has entertaining interviews with family and others connected to the program, thus offering insight into the man and his message.  As with any film that addresses periods in time, one cannot help compare eras. Produced in the last year, fred rogers 3Won’t You Be My Neighbor offers a contrasting voice and message to what is in the air today. The film is not obvious in pointing out the differences; it doesn’t have to be.  There was an audible murmur when they showed tape from the first week of the program in 1968.  The video showed the puppet character King Friday the XIII fearing the “Changers” and requiring reluctant subjects to build a wall to keep people who wanted to bring change out of his Kingdom.  The clip ended with the human Lady Aberlin sending balloons with “signs” calling for peace and acceptance of others over the wall to the King.

fred rogers 4Even though Fred Rogers was an ordained Presbyterian clergy, he never mentioned it on the air and rarely in public. Rather than saying he was ordained, he presented the face of Christ to children and the world. His genuine love of children led him to take time to be with and listen to children and then offer them a non-anxious, calming presence. He respected children, and he fearlessly addressed topics that all others avoided.  When RFK was assassinated Mr. Rogers addressed the issue, explaining what assassination was and the fear and sadness that the nation was feeling. Mr. Rogers knew that the children would know something had happened and wonder why parents and others were sad and scared. To avoid talking about the issue would only make the children’s fear more pronounced.  He loved children too much to allow this. Loving and engaging children like this are exactly what Jesus intended when he called for his disciples to allow children to come to him.

fred rogers 5A week after there were news reports and film of a hotel owner chasing African Americans out of the hotel pool by pouring bleach into the water to “clean” it, the neighborhood of Mr. Rogers showed him sharing a footbath with Officer Clemmons, portrayed by Francois Clemmons, an African American member of the cast. There was no mention of the hotel incident. there did not have to be.

Every disciple has a duty to present the person of Jesus to others. I cannot think of anyone who has reflected the face of Christ more genuine and lovingly than Fred Rogers. Because Won’t You Be My Neighbor models this call to all disciples of Jesus Christ, and indeed children of God of all faiths, it is the most impactful faith film I have seen.

Beyond the realm of faith films, when considering  the struggle and brokenness so prevalent in our time,  Fred Rogers’s faith-driven desire to build or repair genuine community by caring and loving others,  Won’t You Be My Neighbor is one of the most important films in my memory

Won’t You Be My Neighbor is rated PG-13 and is in current release.

Posted in Faith Shots, Film Shots | Tagged , , , , , , | 1 Comment

The Shape of Water

The shape of water 7I thought I would review The Shape of Water, the winner of the 2018 Academy Award for Best Picture in a different way, a text log between me and my niece.
Niece: Have you seen The Shape of Water?

Me: Yes, you?

Niece: Just saw it. What did you think of it?

Me: I like it… Had it a little bit above 3 Billboards at Oscars…

Niece: It was interesting.

Me: You like it?

Niece: I can’t decide. It was filmed beautifully, but I don’t get what the point of the story is. What is the point?

the shape of water 5Me: People/govt. afraid of difference in others…other people united, by what makes them different…Allowing what unites them to overcome their difference.

Niece: Ohhhh okay, now that makes sense

Me: Something the United Methodist Church could learn

Niece: You are right about that

The shape of water 4Me: I thought Sally Hawkins’s performance was extraordinary…

Me: The creature was a Christ figure…different, beyond understanding and therefore a    threat to the Government/General, yet he offered a new life, a transformed life to the mute woman who had been marginalized by many,,,

Niece: Sally Hawkins did do a great Job!

Me: Yes she did. I’ve never seen her before…or don’t remember her…

Niece: I didn’t even see him as the Christ figure, but it does make sense and I could see how you could pull that from it.

Niece: I don’t remember her either. She isn’t normal Hollywood beautiful, but she gave a great performance with no words!

Me: Yes she did. I thought she has a look that is very expressive…

Niece: Very true and I love the use of the sign language…

the shape of water 9In addition to the Best Picture Oscar, Guillermo del Toro won the Oscar for Best Direction. The Shape of Water is a beautifully photographed film where the acting is just as impressive, and as with most fantasy films, The Shape of Water allows, if not demands for continued contemplation and application to one’s life and circumstance. It’s not a film everyone will relate to or enjoy, but it was worthy of winning the Best Picture award.

Posted in Faith Shots, Film Shots | Tagged , , , , , , , , | Leave a comment